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Showing posts from May, 2017

OH NO & TRISTATE - THREE DIMENSIONAL PRESCRIPTIONS (Hieroglyphics Imperium Recordings)

Here's how hip hop critique works these days. New 'product' gets rolled out on Datpiff or HotNewHipHop. If it's any good, or if it's by an artist who isn't regularly picking up tens of millions of youtube views or regularly instagrams/tweets images of his/her wealth, then it will be ignored by most, pick up some cursory ratings of about 7/10 by site-visitors and then disappear into obscurity. There will be five comments under it, usually bemoaning the fact it's being ignored. Meanwhile some twat called Kevin or called Lil or called Yung or called Nipsey or named after a brand will be picking up millions of listens/hits thanks to some shady sponsorship dealio or the fact that last week he happened to fart near a mic and Drake happened to smell it. The comments underneath  this dross will vacillate between about 90% 'STR8 FUEGO' and 10% 'WTF IS THIS TRASH'.

<a href="http://hieroglyphicsimperium.bandcamp.com/album/3-dimensional-prescript…

HUS KINGPIN & SMOOVTH - H.N.I.C: Hempstead Niggas In Charge (LowTech Records)

H.N.I.C. : Hempstead Niggas In Charge [LP] by Hus Kingpin & SmooVth


 One of the most sublime releases from the current crop of dated-yet-delicious grainy 90s-style hip hop from the East Coast. Hus and Smoovth have been dropping gems both solo and together for a while but this collaboration is perhaps the sweetest set either have ever given us - less confrontational sonically than Westside Gunn/Conway or even Action Bronson/Roc Marc but all the more sumptuously compelling for it. On one level, if you're the kind of hip hop fan that cares about currency (as opposed to Curren$y) and contemporaneity this might come across as too dated for you, utterly shorn of any autotune or any trap dynamics - this is unapologetically dated, grimy, grainy East Coast hip hop. However, what it innately realises is that the sound crafted in NYC in the early to late 90s was perhaps the greatest music hip hop ever gave us - a sound that still sounds just as luridly noir-ish and unsettlingly neon-blin…